Oil On Canvas, Real Flavor of Old Masters

All Theodore Gericault 's Paintings
The Painting Names Are Sorted From A to Z

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ID Image  Painting (From A to Z)       Details 
21750  
The Raft of the Medusa (mk10), Theodore Gericault
  		 The Raft of the Medusa (mk10)   1st sketch 1816 Oil on canvas 37.5 x 46 cm Paris,musee du Louvre
21752  
The Raft of the Medusa (mk10), Theodore Gericault
  		 The Raft of the Medusa (mk10)   2nd sketch 1816 Oil on canvas,65 x 83 cm Paris,Musee du Louvre
21759  
The Raft of the Medusa (mk10), Theodore Gericault
  		 The Raft of the Medusa (mk10)   1819,Oil on canvas, 491 x 716 cm Paris,musee du Louvre
21313  
The Raft of the Medusa (sketch) (mk09), Theodore Gericault
  		 The Raft of the Medusa (sketch) (mk09)   C 1818/19 Oil on canvas 65 x 83 cm Paris,Musee National du Louvre
20872  
The Woman with Gambling Mania (mk05), Theodore Gericault
  		 The Woman with Gambling Mania (mk05)   Canvas 30 1/4 x 25 1/2''(77 x 65 cm)Given in 1938 R.F 1938-51 (S/AR)
69511  
thomas, cenone refuse de secourir paris, Theodore Gericault
  		 thomas, cenone refuse de secourir paris   se
69493  
trompette de hussards, Theodore Gericault
  		 trompette de hussards   se
69494  
trompette de hussards, Theodore Gericault
  		 trompette de hussards   se
69495  
trompette de hussards, Theodore Gericault
  		 trompette de hussards   se
69491  
trompette de lanciers, Theodore Gericault
  		 trompette de lanciers   se
69512  
vue de tivoli, Theodore Gericault
  		 vue de tivoli   se
72980  
Wounded Cuirassier, Theodore Gericault
  		 Wounded Cuirassier   Date ca. 1814(1814) Medium Oil on canvas Dimensions 55.2 X 46 cm (21.73 X 18.11 in) cyf
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Theodore Gericault
French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.



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